Category / Darkroom Processing
Film Processing Guide I created this card to help with film processing. I practice Steve Sherman’s minimal agitation technique with diluted Pyrocat HD and usually Ilford FP4+ film. The times and periods reflected on the card are designed to help me create negatives that print well on Ilfords MGFB Warmtone papers with a #2 filter. The chart is […] |
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Sepia Toning with Thiourea Part II Today I engaged in further experimentation with Thiourea toning. I changed the mix that I used in my earlier article from 20/20/400 to 10ml Thiourea, 40ml Sodium Hydroxide, and 500ml water. The tone was not the yellowish brown of sepia but a much richer chocolate brown. The dark shadow areas were the color of coffee […] |
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Printing 35mm vs 4×5 When I first began taking images I used 35mm gear and printed them using a 35mm enlarger on 8×10 paper. My setup was small enough to fit in an apartment bathroom with the enlarger by the sink and the trays in the bathtub. It wasn’t too difficult to set up due to the dedicated enlarger […] |
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Testing LPD vs PF106 I love experimenting in the darkroom and recently sought out a brown tone developer. Photographers Formulary had a similar developer to an older Ansco formula which was supposed to have been a brown toned developer on certain older papers like Kodak Ektalure which is no longer made. So I ordered some PF106 (link) to see […] |
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Reshoot day 9/1/2017 – I took a day off work and was in the mood to go reshoot the tunnel at AT- Byron Reece Trail. It was raining for the past few days due to hurricane Harvey in Texas. I also had a new-to-me 90mm to try out. When I arrived it was pouring rain. I waited […] |
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Sepia Toning with Thiourea I have been interested in the sepia toned images I have often seen online. My attempts at toning with selenium yielded a nice chocolate brown on Ilford MGFB WarmTone paper but was not so pleasant on MGFB Classic. I ordered the Thiourea Toning kit from Photographers Formulary. It ships with chemistry to make 1Liter of […] |
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Bromoil First Try – miserable failure I stumbled upon and interesting series of videos on you-tube illustrating the Bromoil process. It looks kind of fun and is something one could do indoors on cold/rainy/hot day. Basically you bleach your image removing all traces of silver, Fix, dry, rewet, then add a layer of ink where your silver used to be. The […] |
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Ilford Multigrade Art 300 first impressions Wanting to try the full range of Ilford paper products I ordered a box of Multigrade Art 300 paper. These are my first impressions: The feel: Pulling the paper out of the box it felt like thick card stock but softer like construction paper. There is not much difference between the coated side and the […] |
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Darkroom Underground Magazine Tim Layton Fine Arts has launched a new Film centered magazine Darkroom Underground. The first issue was release July 1 and was chocked full of useful information for the darkroom and film enthusiast. The magazine will be published quarterly online with print editions possible in 2018. The Darkroom Underground publishes technical and creative articles […] |
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Film Test – Searing Method Part II The negatives have dried and I had some free time to do print them out. Initially I tried making a contact sheet of all 4 images of each film but with paper curl and the density differences, that didn’t work out too well. So I ended up making 8 contact sheets, one for each negative. […] |